The Art of Casting †Theology Essay

The Art of Casting – Theology Essay Free Online Research Papers The Art of Casting Theology Essay Gene was the embodiment of the movie â€Å"A River Runs Through It†. He was an expert in the art of fly casting. He even tied his own flies. I longed to learn the art of fly casting from him. But, alas, we moved from North Dakota and I never did learn to fly cast. What comes to your mind when you hear the word â€Å"casting†? It has many interesting and varied uses. The Word of God instructs us in the art of casting in many scriptures. Jesus even taught His disciples how to cast their nets for a great catch of fish. (Luke 5:5; John 21:6) How much time, work, and energy we would save if we would follow the Lord’s direction and in faith and obedience cast our net where He tells us. There is much benefit and blessing in casting according to the Word of God. Let’s consider some areas where the Bible teaches the benefits of the art of casting. CASTING AWAY STONES is sometimes necessary. Solomon tells us that there is a time for everything. â€Å"A time to cast away stones and a time to gather stones . . . a time to tear down and a time to rebuild† (Ecclesiastes 3:1-8). Perhaps your seasonal time is to cast away stones and rebuild. It could be your business, your marriage, your ministry, or your life. It could mean casting away the stones in your heart. But when you rebuild, make sure you start by taking â€Å"the stone that the builders rejected† – Jesus the Chief Cornerstone. He alone can give you the lasting stability that you need. (Matthew 21:41; I Peter 2:4-7; Isaiah 57:13-14) FORCASTING the weather has become an acceptable science. Jesus rebuked those who forecast the weather by the signs of the sky, but would not perceive and believe the signs of His return to this earth. The prophecies in the Word of God forecast the coming of Christ for His Church. (Matthew 16:1-4; 24; I Thessalonians 5:1-9) Study the forecast. CASTING YOUR CARES AND BURDENS ON THE LORD is the way of peace. â€Å"Casting your care on Him for He cares for you† (I Peter 5:7). You don’t need to carry your heavy burdens. Cast them on the Lord. Why? He cares about you and He is strong enough to carry them. (Psalm 55:22) Perhaps you need to do some casting right now. Go ahead. CAST NOT AWAY YOUR CONFIDENCE. The Israelites of old missed out on the promised land because they doubted God’s ability and intention to bring them into the land. Put your confidence in the Lord. He is able. â€Å"Therefore do not cast away your confidence which has great recompense of reward† (Hebrews 10:35-38 KJV). It is not a time to draw back – but to draw near. CASTING FOR A THEATRICAL PRODUCTION IS DECIDED BY TALENT AND BEAUTY. But Jesus chose the cast of His disciples, mostly from simple, unlearned men. One of my most memorable Easters was while pastoring in South Dakota. That Easter my wife directed a production of â€Å"The Last Supper†. The cast was not made up of professional actors, but rough rugged men. Vern was a meat-cutter who was battling cancer. Being in the production had special meaning to him as a new believer. When the 12 disciples were told by Jesus that one of them would betray Him, they, one by one asked, â€Å"Master is it I?† The narrative of the play was very moving. You could feel the very presence of God. Shortly after the production, Vern went home to be with the Lord. Like the 12 disciples, these men in the cast were unlikely to be chosen by a professional director. But the followers of Christ’s cast are not chosen by talent or appearance, but by the grace and mercy of God.  "For by grace are you saved by faith and that not of yourselves, it is the gift of God, not of works, lest any man should boast† (Ephesians 2:8-9 KJV). â€Å"CAST YOUR BREAD UPON THE WATERS and after many days it shall return† (Ecclesiastes 11:1). Jesus amplified Solomon’s advice. â€Å"Give and it shall be given to you, pressed down shaken together and running over† (Luke 6:38). Do you want to be blessed? Cast your bread, your substance on the waters. CASTING YOUR SINS behind His back is God’s promise for those who repent and confess them. (Isaiah 38:17) â€Å"If we confess our sins, He is faithful and just to forgive our sins and to cleanse us from all unrighteousness† (I John 1:9-10). He will cast our sins as far as the east is from the west. (Psalm 103:12) CASTING OUR CROWNS before the One who died for us and arose victorious will be a privileged act of worship in heaven. (Revelation 4:9-10) God makes all of those who receive Christ kings and priests. We will cast those crowns before the Lamb of God who made us worthy by His blood. (I Peter 2:9; Revelation 1:6; 5:10) Don’t wait until heaven – cast your crown before Him now in praise, thanksgiving, and worship. As we practice the art of casting, God’s benefits will overtake us and bless us. (Psalm 103) Jesus is Lord. Research Papers on The Art of Casting - Theology EssayRiordan Manufacturing Production PlanCanaanite Influence on the Early Israelite ReligionHarry Potter and the Deathly Hallows EssayHip-Hop is ArtThe Spring and AutumnComparison: Letter from Birmingham and CritoAnalysis Of A Cosmetics AdvertisementThe Hockey GameAppeasement Policy Towards the Outbreak of World War 2Incorporating Risk and Uncertainty Factor in Capital

Definition and Examples of Sententiae in Rhetoric

Definition and Examples of Sententiae in Rhetoric In classical rhetoric, a  sententia  is a maxim, proverb, aphorism, or popular quotation: a brief expression of conventional wisdom. Plural: sententiae. A  sententia, said the Dutch  Renaissance humanist  Erasmus, is an adage  that bears particularly on â€Å"instruction in living (Adagia, 1536). See Examples and Observations below. Also see: 2,000 Pure Fools: An Anthology of AphorismsCommonplaceEnthymemeLogosWhat Is a Maxim? EtymologyFrom the Latin, feeling, judgment, opinion Examples and Observations It is best to insert sententiae discreetly, that we may be viewed as judicial advocates, not moral instructors.(Rhetorica ad Herennium, c. 90 BC)A mans as miserable as he thinks he is.(Seneca the Younger)No man is laughable who laughs at himself.(Seneca the Younger)Things forbidden have a secret charm.(Tacitus)Greater things are believed of those who are absent.(Tacitus)A bad peace is worse than war.(Tacitus)Post-Ciceronian Latin gave vigor and point to style by the frequent use of sententiaeclever, sometimes epigrammatic, apothegmatic turns of phrase: what oft was thought but ner so well expressd, as Alexander Pope was to put it. Quintilian devotes a chapter to sententiae (8.5), acknowledging that they had become a necessary part of the orators art.(George A. Kennedy, Classical Rhetoric. Encyclopedia of Rhetoric. Oxford University  Press, 2001)Sententiae in the Renaissance- A sententia, which had overtones of its classical Latin sense of judgement, was a pithy and memorable phrase : a recitall of some grave matter which both beautified and graced a style. Several writers were clear that testimony could take the form of a Notable sentence or was a sententia of a witness. Richard Sherry, in his Treatise of Schemes and Tropes (1550), closely associated the sententia with the argument from testimony or authority when he defined it as one of the seven kinds of figure called Indicacio, or authoritie.(R.W. Serjeantson, Testimony. Renaissance Figures of Speech, ed. by Sylvia Adamson, Gavin Alexander, and Katrin Ettenhuber. Cambridge University  Press, 2008)- Scholasticism developed around the medieval tendency to treat ancient sourcesboth the Bible and certain texts of classical antiquityas authoritative. So strong was this tendency that individual sentences from a respected source, even when taken out of context, could be employed to secure a point in debate. These isolated statements from ancient sources were called sententiae. Some authors collected large number s of sententiae into anthologies for educational and disputational purposes. Disputes centered on debatable points suggested by one or more sententiae, these debatable notions being called quaestiones. Education by debating general topics drawn from authoritative statements reveals one way in which rhetorical and dialectical practices made their way into the Middle Ages. . . .Writers now known as the Italian Humanists were responsible for a resurgence of interest in the languages and texts of classical antiquity during the Renaissance period, an orientation referred to as classicism. . . .[T]he Humanists sought to place the text in its historical context, in order to establish the correct value of words and phrases. . . . As noted [above], the scholastic practice of splintering classical sources into individual statements or sententiae led to the loss of original meaning and even of authorial identity. Charles Nauert writes, from Petrarch onward, humanists insisted on reading each o pinion in its context, abandoning the anthologies . . . and subsequent interpretations and going back to the full original text in search of the authors real meaning.(James A. Herrick, The History and Theory of Rhetoric, 3rd ed. Pearson, 2005) Pronunciation: sen-TEN-she-ah